The Tiny Colossus began in 2022 as a series of small interventions in nature. What interested me was less narrative than the feeling of confronting something half-legible: objects or presences that seemed charged with meaning but resisted clear explanation.

Over time, the work became less about “what is happening here?” and more about the experience of encountering something strange, compact, and quietly monumental—as if some small vanished culture had left behind a set of untranslatable totems.